THROUGH A FRACTURED EXISTENCE, TO THE RHYTHM OF ETERNITY.
IL MATTINO
Il Mattino is an Italian cafe sidled between a bookstore and a jewelry boutique in small but popular business district, just a downhill walk from the local non-denominational Christian church and residential area. The ocean is less than a ten minute drive away and within view in the distance. The area is cool even when the sun is at its apex at noon with a tinge of sea salt in the breeze.
The cafe itself is medium-sized with plenty of light let in with the large storefront windows. The decor is simple, but accented with key decor with wheat centerpieces and plants. There are some trinkets that are displayed that may look out of place, like atop the charging counter there's a sliding puzzle painted in pink, orange, yellow, blue, purple, and all shades in between.
The cafe specializes in coffee and brunch, though pastries are sourced from local Italian bakeries in downtown Little Italy.
While the establishment has two floors, the cafe takes up the ground floor. There is a yard for some reason, but that's because there are four dogs. They're kept separate from the cafe to make sure patrons are not disturbed, but people are free to go outside to pet them. Reviews have mentioned the owner lives on the second floor and the dogs' names are Harold, Olive, Vera, and Rocco.

no subject
[ Jacopo peeks over Adolphe's shoulder to see the chick and the chick sees him...
It starts vibrating violently, ready to scream, and Jacopo quietly goes "no, no, no. We can't have that." He steps completely away from view of the incubator. ]
You think you can work your magic and calm it down?
[ The keeper mentions the babies like soft singing. ]
no subject
[ Adolphe looks at them like. What... No... ]
no subject
[ Help, he tries not to laugh, but it's so obvious in the way his eyes crinkle... The keeper does reassure Adolphe that he doesn't need to do anything. No pressure. ]
You do have a type of magic.
no subject
[ He looks so incredulous, feeling like he's getting bullied... Adolphe nods once at the keeper to acknowledge them. ]
Stop trying to goad me.
no subject
[ They can move on and start the spiraling path along the crater down. There are so many plants... So much green. It's a garden in here especially with the butterflies and different birds scattered around.
There are other people here, too. Children includes. It's a wonder for all ages. ]
I'm being serious as someone on the receiving end of it.
[ As serious as joke magic can be, of course. ]
no subject
So he just freezes.
He will not hurt this butterfly. He will keep his hands to himself. He must. He must. ]
no subject
Funny. He takes a picture of this, too. ]
You're glaring at this butterfly like it hurt you.
[ Reaching out, he carefully guides the butterfly onto his own finger to take it away. ]
no subject
I wasn't glaring. I was trying not to swat it on reflex.
[ So he had to freeze up like that? He really didn't have to, but he did. ]
no subject
[ He still thinks it's an intense look, but he sends the butterfly off. When it flutters away, he gently pats Adolphe's shoulder. There, there. ]
You don't like bugs? Or did it just take you by surprise.
no subject
Do you like things suddenly coming up at your face? I don't.
no subject
[ Whether sitting or unfortunately laid down, they do just bum rush with all their energy. Maybe it isn't so at Adolphe's face because they're trained, but they do bombard.
People walk past them, which has Jacopo gently take Adolphe's hand and move them along the spiral path down. He positions himself toward the inner side where all the butterflies and birds would be.
It doesn't impede on Adolphe's view. He can see all of the manmade nature and its beauty, likewise be able to see anything come toward him. ]
no subject
... It's nice scenery.
[ He glances over at him. ]
no subject
Jacopo doesn't quite notice the number of butterflies that have landed on his hair. It's maybe two to three, the rest he can see he gently ushers away. ]
It is nice.
[ He doesn't get it... He has visited the zoo more than once before and been in this dome more than once, but everything seems much more vivid. How can scenery he has already seen be different?
Did he not appreciate it before? That might be it. He was with people he was trying to network with. He was distracted, focused on so many other things.
But not now. He's here to enjoy himself and he can't help but smile in the face of beauty—soft, gentle, and with nostalgia he shouldn't have. Maybe the hand in his is what helps him... Not that he realizes he's still holding on. ]
I've been here before, but something feels different. Maybe it's the good weather—or I'm in a good mood.
[ He turns to Adolphe to check on him and make sure he's feeling comfortable, especially now that he isn't getting assaulted by bugs.
His smile stays, though upon seeing him he feels strange... "It's because of you" invades his mind and heart like a virus, but he forces himself not to say it. That's just insane. ]
no subject
[ Well, Adolphe isn't in a foul mood. On the contrary, his mood is great. It's easier to smile, enjoy himself, and take in the view to appreciate what is around him. His view always felt so narrow--focusing on a single thing just to get through the day. It's a wonder to him now, to have his viewpoint expand to take in all this.
It's nice--what Jacopo says echoes in Adolphe's mind. It really is nice out here. Adolphe looks comfortable, marveling at the sights. ]
So, why not both?
no subject
And he's right. It changes him in a way he wished it didn't. Like how Adolphe's presence changed his lifestyle and peace in a way he didn't want, but he can't go back to how it was before. Even if Adolphe were to leave some day, he would remember how things were when he was here... And the imagination of his smile would make something warm swell in his chest.
He had come to like this peace they have, but these complicated and twisted feelings could change that, too. ]
Thank you—for inviting me.
[ He lets go of Adolphe's hand, then runs it through his own hair. It disturbs the butterflies he didn't know were resting on his head.
GOING TO WALK AHEAD. COOL OFF. COLLECT HIMSELF. ]
We're almost to the bottom.
no subject
What's at the bottom?
[ He asks, despite the fact that he'll see it for himself very shortly. ]
no subject
Jacopo isn't leaving! He's just ahead for a single moment to make sure he's not making a weird face, or that his face isn't hot and flushed, just anything that would be weird right now. There's no push or distance added when Adolphe catches up. See? He's here still and walks by his side. ]
We passed by the waterfall, so you should be able to guess there's something like a small pond down there. A couple of semi-aquatic birds at that... It's picturesque, worthy of photos.
[ Adolphe really didn't need to ask because one more revolution and they're at the bottom. It is cute floor space with a pond and a bridge, again a lot of nature down here. ]
There are also giant pelicans.
[ Like pelicans if they stood on a rock would be the same size as a man. Kind of terrifying. One is perched right by the bridge to cross............. it is jamming the flow here. The people are concerned and don't want to cross, so they're stuck crowded at the bridge's mouth. ]
They're evil.
[ SAID SO CASUALLY. ]
no subject
Are they really...
[ Adolphe looks eyes with one, wondering if it's just needlessly aggressive and evil like Jacopo said or just wants somem affection. What are your secrets, giant pelican. Do you wish to be petted. ]
no subject
[ This bottleneck stays crowded, but people are slowly trying to pass despite the chance of this pelican nipping at them. Jacopo keeps close, though his opinion and attention stays on the pelican.
A father crosses before the rest of his family to test its temperament... The pelican doesn't do anything. The father comes back to get the rest of the family, allowing himself to be in the back, and the pelican quickly nips at him with its long beak.
The mother and child were able to cross the bridge, but they must watch the father stumble and fall face first onto the bridge. He gets help from people immediately in front of the line to cross the bridge. ]
See?
[ Humorous at the same time, but now it's their turn to cross. ]
no subject
[ This would usually mean Adolphe would leave it alone. That would be most sensible. However, sometimes he can't give a fuck about staying reasonable. Maybe he should have taken his meds. He really hasn't for a while now...
So he also tests the pelican's temperament, holding his hand out. It's his left hand. If it tries biting tell me how hard it bites. ]
no subject
He expects them to just hurry along, but Adolphe does this and perplexes both him and the bird??? ]
What's wrong with you?!
[ The pelican is about ready to chomp Adolphe to teach him a lesson, but Jacopo grabs his left hand instead and quickly drags him so far so fast. Through the bridge, further out, so far away from that pelican.
It does try to snap at their legs as they went, though. Nearly missing, but if they tumble then they can tumble. ]
no subject
His left hand feels like a hand-shaped wall. It doesn't respond when Jacopo grabs it, nor is it something you can squeeze without feeling like you would possibly break it in your hands. There is no comfort that a hand brings with this one.
When it tries snapping at their legs though, he maneuvers easily enough to keep himself standing and if Jacopo slips or anything, he'll help him stay up too. Adolphe isn't tumbling though. ]
That one's not meant to be in a zoo.
[ But it is for some reason. ]
no subject
My guy... Jacopo takes him to a secluded corner (there are no corners in a circle platform) spot, a nook away from the main path meant for people to take a break in nature. There's a bench here and everything, but everyone else is focused on going back up the spiral and checking out the rest of the zoo. They can be alone for a bit.
He has never held this left hand this long before... But it somehow doesn't give him less comfort. It may not be warm or giving, but it's Adolphe's which is all that matters to him. Instead, maybe there's a different type of comfort. This hand wouldn't be able to feel how he holds it, would it? How there's more intimacy than there should be... Jacopo wouldn't need to fear how his actions are read when he holds this hand while of course to himself it feels so very obvious.
He holds on a little longer before letting go, though the incredulous and weary scowl has been etched on his face since they escaped Pelican. ]
Adolphe.
[ Scolding....... ]
no subject
[ This shouldn't be the thing to care about, but here he is. Adolphe looks down at their hands before realizing that, oh. Right. The hand that he doesn't really want to tall about. With this sort of contact, he thinks Jacopo is aware of what his hand is by now. He frowns a little. ]
no subject
Until Adolphe wants to tell him or until it poses a problem, he will stay back and stay in the dark. He's focused on something else. ]
We can give a keeper our formal complaint, but it isn't about that. Most of the birds here are tame, but wild animals can still be unpredictable. You went up to it and offered it your hand? It could have attacked you. Regardless of how capable you are, I... Wouldn't want you getting injured.
... We still have the rest of the day here.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)